 |
|
|
|
| |
|
browsing 4694 items
displaying items 1 to 100
| |
|
Results Page:
(total 47 pages)
| |
|
|
|
|
|
|
|
 Carta General para las Navegaciones á la India Oriental por el Mar del Sur y el grande Oceano que separa el Continente Americano del Asiatico, construida segun las derrolas, Observaciones y trabajos de los mas Celebres Naviganles [sic.] Españoles y Publicada por Orden del Exmo Sr D. Guadalupe Victoria primer Presidente de la Republica Mexico
[Mexico City]: 1825. Copper-engraved map, in very good condition. Sheet size: 25 1/4 x 30 5/16 inches.
A sheet from a rare map of the Pacific and the Pacific coast of North and Central America.
This fine map concentrates largely on the west coast of America: from Panama in the south to 'Alaska' in the north. It is a single sheet from a four or six sheet map that covered the whole of the Pacific and includes the Mexican Federal Seal in the lower left corner. It is a copy of one of a series of maps prepared by the Spanish Hydrographical Department in Madrid, although this particular map may derive from a six-sheet map 'Carta general para las navegaciones... constuida por Dn. Jose de Espinosa [y Tello]', but published in London in 1812-1813 [see Tooley 555]. There is anecdotal evidence that this map was prepared as part of a group of charts presented by the King of Spain to the President of Mexico to mark its independence, and according to a Mexican bookdealer that Warren Howell spoke to in the 1950s this series of maps was actually printed by Aaron Arrowsmith in London. The present example is printed on wove paper with no watermark.
Cf. Lowery Collection, a Descriptive List of Maps of the Spanish Possessions Within the Present Limits of the United States, 1502-1820 Washington: 1912
#8204 $2,250.00  
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792) & James (d.1794)
Elevation of the North Front of Kenwood, towards the Court... Elevation of the South Front of Kenwood, towards the Gardens
London: 5 February 1774. Engraving, by T. Miller (expert repairs to old fold touching image area). Sheet size: 26 1/2 x 36 1/2 inches.
A fine architectural engraving of Kenwood House, in Hampstead, London, re-modelled in 1761-1773, and now home to the Iveagh Bequest picture collection.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8.
#5327$1,750.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792)
Section of one of the sides of the Great Room, or Library at Kenwood
London: 5 February 1774. Engraving, by J. Zucchi. Sheet size: 18 7/8 x 25 1/4 inches.
A fine architectural engraving of the interior of Kenwood House, in Hampstead, London, re-modelled in 1761-1773, and now home to the Iveagh Bequest picture collection.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#5385$800.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792) & James (d.1794)
Elevation of the House of the Society for the Encouragement of Arts, Manufactures & Commerce, situated in John Street, Adelphi
London: January 1775. Engraving, by J. Vivares (expert repair to lower margin). Sheet size: 26 1/2 x 19 3/8 inches.
A fine architectural engraving of a part of the vast Adelphi development in London; the largest project undertaken by the Adam brothers.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#5386$1,250.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792)
Design of the Ceiling of Lady Bute's Dressing Room
London: June 1774. Engraving, coloured by hand, by B. Pastorini. Sheet size: 19 1/2 x 26 1/2 inches.
A fine engraving, with contemporary hand colouring, of a painted plaster and stucco ceiling from the interior at Luton Hoo, a project undertaken by Robert Adam in about 1764 for the Earl of Bute.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#5387$1,500.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792)
Design of the Ceiling of the Library or Great Room at Kenwood
London: 5 February 1774. Engraving, coloured by hand, by B. Pastorini (old dampstain to upper left margin). Sheet size: 19 3/8 x 26 1/2 inches.
A fine engraving, with contemporary hand colouring, of a painted plaster and stucco ceiling from the interior at Kenwood House, in Hampstead, London, re-modelled in 1761-1773, and now home to the Iveagh Bequest picture collection.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#5388$1,500.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792)
Elevation of the North End of Luton Park House... Elevation of the South End of Luton Park House
London: June 1774. Engraving, by T. Vivares. (Neat repairs to two small marginal tears). Sheet size: 26 1/2 x 19 3/8 inches.
A fine engraving of two of the exterior elevations of Luton Park House, a project undertaken by Robert Adam in about 1764.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#5593$800.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792)
Section of one end of the Library or great Room, at Kenwood... Design of the Chimney for the Library or great Room, at Kenwood
London: 5 February 1774. Engraving, by J. Roberts. (Expert repairs to lower left corner). Sheet size: 25 1/4 x 19 1/4 inches.
A fine architectural engraving of the interior of Kenwood House, in Hampstead, London, re-modelled in 1761-1773, and now home to the Iveagh Bequest picture collection.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#5594$800.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792)
Elevation of the East Front of Luton Park House, toward the River: Elevation de la Facade Orientale du Chateau de Luton Parc, vers la Riviere.
London: June 1774. Engraving by Newton. In excellent condition with the exception of some slight paper discolouration in upper left section of image. Creased in left margin outside plate mark. A skillfully mended 1 1/2 inch tear in upper left margin. Plate mark: 17 1/4 x 23 inches. Sheet size: 19 1/2 x 26 5/8 inches.
A fine engraving of the exterior elevation of Luton Park House, a project undertaken by Robert Adam in about 1764.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#9853$800.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792)
Design of the Entablature & Britannic Order for the Gateway Proposed for Carleton House.
London: 1775. Engraving by D. Cunego. In excellent condition with the exception of being trimmed just outside the platemark on left margin. Plate mark: 23 1/2 x 17 7/8 inches. Sheet size: 19 x 26 1/8 inches.
A fine engraving of the entablature and columns of the celebrated Carleton House in London.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8. DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17097$1,250.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792)
Design of a Chimney Piece executed in the Great Saloon of the Queens House / A Chimney Piece Designed for one of the Rooms in St. James's Palace.
London: 1775. Engraving by D. Cunego. In excellent condition with the exception of being trimmed just outside the platemark on left margin. Some paper discolouration on left margin.
. Sheet size: 26 1/4 x 19 1/8 inches.
A fine engraving of the fireplaces at St. James's Palace and the Queen's House in London.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17099$1,250.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792)
Design of a Sedan Chair as executed for Her Majesty.
London: 1775. Engraving by P. Begbie. In excellent condition with the exception of some paper discolouration on the upper margin.
. Plate mark: 17 1/4 x 23 1/4 inches. Sheet size: 19 1/8 x 26 1/4 inches.
A fine engraving of the sedan chair designed for Queen Charlotte.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17100$800.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792)
Design of a Harpsicord executed in London, with different coloured woods, for the Empress of Russia.
London: 1775. Copper engraving with hand colour. Engraving by P. Begbie. In excellent condition with the exception of being trimmed just on the platemark on the left margin. Sheet size: 26 1/4 x 18 7/8 inches.
A fine engraving of an ornate harpsichord designed for the Empress of Russia.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17101$1,500.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792)
Geometrical elevation of a Bridge to be built over the River in the Garden at Sion... Plan of the Foundations of the Bridge... Plan of the Carriage and Footways of the Bridge
London: 1775. Engraving by T. Miller. In excellent condition with the exception of some very faint off-setting. Plate mark: 23 7/8 x 35 3/4 inches. Sheet size: 26 x 37 1/4 inches.
A fine engraving of a proposed bridge over the river at Sion House in London.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17103$1,000.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792)
Elevation of the North Front of Kenwood, towards the Court... Elevation of the South Front of Kenwood, towards the Gardens
London: 1775. Engraving by T. Miller. In excellent condition with the exception of a water stain at the bottom of the sheet. Top left corner of sheet is missing. Plate mark: 23 7/8 x 35 7/8 inches. Sheet size: 26 1/4 x 37 1/2 inches.
A fine architectural engraving of Kenwood House, in Hampstead, London, re-modelled in 1761-1773, and now home to the Iveagh Bequest picture collection.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17106$1,250.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792) and James ADAM (d.1794)
Designs for the Chimney Piece and Curtain Cornice at Sutton Park.
London: 1775. Engraving by B. Pastorini. In excellent condition. Plate mark: 17 1/4 x 23 1/4 inches. Sheet size: 19 1/8 x 26 1/4 inches.
An elegant engraving showing the decorations of the chimney piece and curtain cornices at Sutton Park House, in North Yorkshire.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17116$1,250.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792) and James ADAM (d.1794)
Elevation of a House at Whitehall Restore as a Board Room for the Paymaster General & Commissioners of Chelsea Hospital & Office for Invalids.
London: 1775. Engraving by R. Blyth. In excellent condition. Plate mark: 17 3/4 x 23 5/8 inches. Sheet size: 19 1/4 x 26 1/4 inches.
An elegant engraving showing the facade of a house in Whitehall, used as the offices for Chelsea Hospital.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17117$1,000.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792) and James ADAM (d.1794)
South Elevation of the Register Office or Building for Containing the Records of Scotland, Situated in the New Town of Edinburgh, Fronting the Bridge.
London: 1775. Engraving by J. Roberts. In excellent condition with the exception of some paper discolouration across the bottom left corner of the sheet. Plate mark: 17 1/4 x 23 inches. Sheet size: 19 1/4 x 26 1/4 inches.
An elegant engraving showing the facade of the public records building in Edinburgh.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17119$800.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792) and James ADAM (d.1794)
Section through the Center Line of the Register Office from North to South.
London: 1775. Engraving by T. Miller. In excellent condition with the exception of some paper discolouration across the bottom left corner of the sheet. Plate mark: 17 1/4 x 23 1/4 inches. Sheet size: 19 1/4 x 26 1/4 inches.
An elegant engraving showing a cross section of the public records building in Edinburgh.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17120$800.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792) and James ADAM (d.1794)
Various Furnishings, Including Decorative Clocks, an Ornamental Knocker, and Two Hanging Lights.
London: 1775. Engraving by P. Begbie. In excellent condition with the exception of being trimmed just outside the platemark on the left margin. Plate mark: 23 1/2 x 18 1/8 inches. Sheet size: 26 1/4 x 19 inches.
An elegant engraving depicting various furnishings designed by Robert and James Adam, including decorative clocks, an ornamental knocker and two elaborate hanging lights.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17121$1,500.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792) and James ADAM (d.1794)
Section of the Chimneyside of the Antichamber in the Principal Story.
London: 1775. Engraving by Joshua Record. In excellent condition. Plate mark: 17 3/8 x 23 1/8 inches. Sheet size: 19 1/8 x 26 1/4 inches.
An elegant engraving showing the chimney in the anteroom of Lord Derby's house in Grosvenor Square, London.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17122$800.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792) and James ADAM (d.1794)
Two Chimney-pieces in the First and Second Withdrawing-rooms, with Glass Frames over them.
London: 1775. Engraving by Joshua Record. In excellent condition. Plate mark: 17 1/4 x 23 inches. Sheet size: 19 1/8 x 26 1/4 inches.
An elegant engraving showing the two chimneys in Lord Derby's house in Grosvenor Square, London.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8;DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17123$1,000.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792) and James ADAM (d.1794)
Section of One end and One Side of the Second Withdrawing-room.
London: 1775. Engraving by Joshua Record. In excellent condition with the exception of some minor foxing across the sheet and some waterstaining along the upper margin. Plate mark: 23 x 17 1/4 inches. Sheet size: 26 1/4 x 18 1/2 inches.
A decorative engraving by the celebrated architect Robert Adam, depicting an elegant room in Lord Derby's house in Grosvenor Square, London.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dalmatia, is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam, and the greatest single factor, other than his own talent, in the work Adam produced on his return to England. Upon his return, the brothers launched their career by building the Adelphi from the Thames to the Strand in London, which although not a commercial success at the time, included one of London's most cherished buildings, the Adlephi Theatre. Together, the Adam brothers designed and built some of the most famous buildings in England, including such bastions of English architecture as Kenwood House, Keddlestone Manor, and Syon House. To the interiors of their English country houses, the Adams brought wonderful ornamental elements in niches, lunettes, festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house, an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square, and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time, beginning in 1773, with the final volume being published posthumously in 1822.
Cf. Brunet I.47; cf. Lowndes I, p.8; DNB; Wilton-Ely, The Mind and Art of Giovanni Battista Piranesi.
#17124$800.00
|
|
|
|
|
|
|
|
|
 ADAM, After Robert (1728-1792) and James ADAM (d.1794)
Two Chimney-pieces in the Great Withdrawing-room and the Countess of Derby's Dressing-room.
London: 1777. Engraving by J. Zucchi. In excellent condition. Plate mark: 17 1/4 x 23 1/8 inches. Sheet size: 19 1/4 x 26 1/4 inches.
An elegant engraving depicting two chimneys in Lord Derby's celebrated house in Grosvenor Square, London.
Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57, Robert lived in Italy where he had a long productive friendship with Piranesi, which was inspirational for both men. Adam's first book, on Diocletian's palace in Dal | | | |
